The Annual Miscellany:

For the Year 1694. Being THE FOURTH PART of Miscellany Poems. Containing Great Vareity of New Translations and Original Copies, by the Most Eminent Hands. (London: Jacob Tonson, M DC XCIV.)

"An Account of the Greatest English Poets."

To Mr. H. S. Apr. 3d. 1694. By Mr. Joseph Addison. [317:]

Since, Dearest Harry, you will needs request
A short Account of all the Muse possest;
That, down from Chaucer's days to Dryden's Times,
Have spent their Nobel Rage in Brittish Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength, [317 / 318:]
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.

Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, a merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.

Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e're the Poet's Fancy led, pursu'd [318 / 319:]
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons, and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view wellpleas'd at distance all the sights
Of Arms and Palfries, Cattel's [sic.], Fields and / Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.

Great Cowley then (a mighty Genius) wrote;
O're-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us had he pleas'd us less. [319 / 320]
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O're-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th'unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine cou'd equal Hints inspire;
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain,
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Play's in more unbounded Verse, and takes a nobler flight. [320 / 321]
Blest Man! who's spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise;
Blest Man! who now shall be for ever known,
In Sprat's successful Labours and thy own.

But Milton next, with high and haughty stalks,
Unfetter'd in Majestick Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! See, he upward Springs, and Tow'ring high
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And set the Almight Thunderer in Arms.
What-e're his Pen describes I more then [sic] see,
Whilst ev'ry Verse, array'd in Majesty, [321 / 322:]
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Charriot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, soare,
And stun the Reader with the Din of War!
With fear my Spirits and my Blood retire
To See the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words ofRapture can express
A Vision so profused of pleasantness.
Oh had the Poet ne're prophan'd his Pen,
To varnish o're the Guilt of Faithless Men; [322 / 323]
His other works might have deserv'd applause!
But now the Lanuage can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.

But now my Muse a softer strain rehearse.
Turn ev'ry Line with Art, and smooth thy Verse;
The Courtly Waller next Commands thy Lays,
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desires;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
They Verse can show ev'n Cromwell's innocence,
And Complement the Storms that bore him hence. [323 / 324]
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the Brittish Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boins wide Current Reek'd in Blood!
Or if Maria's Charms thou woud'st rehearse,
In smoother Numbers and a softer Verse;
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.

Nor must Roscommon pass neglected by,
That makes ev'n Rules a Noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show,
The best of Critticks, and of Poets too. [324 / 325]
Nor Denham must we e're forget thy Strains,
While Cooper's Hill Commands the Neighb'ring Plains.

But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! who's Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick STrains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses [sic] other Hope appear,
Harmonious Congreve, and forbid our Fear. [325 / 326]
Congreve! who's Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive,
And Dryden's Muse shall in his Friend survive.

I'm tir'd with Rhiming, and wou'd fain give o're,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self must use.
Now negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boins Di'd Waves run purple to the Sea. [326 / 327]
Nor Simois choak'd with Men, and Arms, and Blood;
Nor rapid Xanthu's celebrated Flood:
Shall longer be the Poet's highest Themes,
Tho Gods and Heroies fought, Promiscuous in they're [sic] streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.


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Laura Mandell, Dept. of English, Miami University, Oxford, OH 45056; Laura Mandell's Home Page.